Saturday, August 13, 2011

Xing Yi Spear

We have been working on spear in Xingyi class and I haave to say this has got to be one of my favorite of the traditional Chinese kungfu weapons.
As the saying goes, the weapon should be trained as an extension of your body.  Putting your entire body into the spear is a task, but one that appears to have great reward.  I can already feel the difference in my empty hand form from the spear training.
Whenever I learn a weapon, I work hard to try and make that weapon an extension of my body.  I try and connect to it in such a way that if I remove the weapon, I can still 'feel' it's presence.
Good stuff!

Friday, August 12, 2011

Differences in intention

The difference in intention is a major factor in what sets our arts apart.

Within the Yizong school we train Hebei Xingyiquan, Gao Style Baguazhang and Chen Pan Ling Tajiquan.  The differences in intention can be seen in how the arts of Xingyi, Bagua and Taiji are applied.  This is not something that you can necessarily see all that well when someone is doing a form, but may be obvious when one is applying their intent towards another person.  I would also say that it is very difficult to feel the proper intent in your forms until you have a proper understanding of how it is being applied with resistance.  This is why it is so important to train both solo and two person practice.  If you do not train both then there is a likelihood that you are missing a piece of the whole.

The majority of my experience in this matter comes from training the Hebei Xingyiquan and Gao Style Baguazhang of the Yizong system taught by Luo Dexiu.
The intent of Xingy is such that it overwhelms an opponent with force.  Xingyi is much like a tank; it rolls right through obstacles and simply blasts things that come up against it.  Xingyi is well suited for people with a large frame.  This could be why it worked so well for masters like Hong Yi Xiang and why he was renown for his tremendous power and skill.
Bagua's intent is to overwhelm an opponent with change.  By use of my footwork and body position I produce such a variety of movement that my opponent will be overwhelmed and not be able to effectively counter my attacks.
I think that once you can integrate these aspects in your two person training you can integrate them into your forms and solo work.  The focus of the intention is key to the mind training aspect of the arts, especially during solo practice because you have no outside stimulation.

Just a few more ideas about training intent...
Intent at different levels of intensity:
I can apply my intent at different levels of intensity when training both solo and with a partner.  My intent does not have to just blast on.  It functions more like the dimmer switch on some lights.  I can play my intent light, keeping the level of intensity low so as I do not alert someone to my intentions.  I can play in the mid range, clear and in control.  I can play my intention at full intensity, overwhelming my opponent with the force of my mind and body.
Use a training partner to develop my intent. 
By training with a partner I can see where the proper use of different levels of intention can help me to effectively engage and eliminate my opponent.
Remembering how your body and mind felt when you engaged your partner and plugging that into your solo practice is the next step.  Forms help to develop focus.  If you know what to focus on and how to do it then this type of training can have great benefit.

Monday, August 8, 2011

Gao Bagua Hou Tian - Line 1

Demonstration of line 1 of the Gao Style Bagua Houtian. 

Another with a bit more speed implemented.

Saturday, August 6, 2011

Good Xingyi compilation!

 Here is a nice sequence of people demonstrating some pretty good Xingyi.